One thing about the Quilt National show in Athens, Ohio: the artists have to have a lot of patience. Understand that we actually made the pieces sometime between October 2013 and October 2014. Then, after submission to the show, there is that long wait for the email that says you have been chosen as part of the exhibit, or, you have not.
As an accepted artist, you send in your quilt for final acceptance and photography in December. Then, the longest 6 months in history starts its plodding way. From December to May you hold your breath and try not to say anything to anyone about the piece.
Getting ready to tell the story of my piece, Insomnia: His and Hers at the Quilt National opening. Gathered round me are some of the luminaries in the art quilt world. What could be better than this?
Finally the show comes around and the Dairy Barn hosts the artists and their friends and fans to see the results of the careful choices. I attended the show this weekend and had a great time talking with and meeting the artists, enjoying discussions about the pieces and their relevance to the art form, studying details and colorways, and standing awestruck before many of the accepted pieces. The show was beautiful, varied and thought-provoking.
One of my favorite parts of the weekend is when the artists have the opportunity to talk about their piece for 2 minutes. It is a delightful gathering of fans, friends and luminaries. Betty Busby sent me this photo of me doing my talk during that session. I'm not sure what I said. I think the Dairy Barn is going to post the results of these short clips on You Tube so I will be able to figure out if I made a fool of myself or not.
So here is the reveal of the piece that was accepted to the show. Insomnia: His and Hers were conceived during a period of transition in my life. I had lost my mom, passed my business on to my friend Shannon and set up shop in my studio. I redefined reality for a while -- felt like a rabbit without a hole and couldn't sleep very well. The piece tries to channel that urgency, insecurity and subconscious into a landscape of conscious thought. It is a diptych made with two pillow shams that were given to me by a friend. The quilting is free-motion stitching with my Bernina machine. The two shams have a built up pillow forms behind them that mimic actual pillows.
Insomnia: His and Hers, ©2014 Paula Kovarik
Insomnia: Hers, ©2014 Paula Kovarik
Calming the static prior to sleep can be a journey into the unknown escorted by the imagined and replayed.
Insomnia: His, ©2014 Paula Kovarik
