The Public Eye

I believe that art isn’t done until someone besides the artist has seen it. I am also at a point in my career that I want the pieces I make to leave my studio. I want them to travel. I want them to go away, clear the decks, and move on. So I spend some time each week seeking ways to get my work into the public eye. I like to start a conversation with my work. I’m interested in how we communicate with each other.

With that goal in mind, the art group I am part of (Six Points) made a proposal to a local university gallery called 2 sides/6 points. Here’s the original proposal we made to the gallery.

2sides/6 points

In 2 sides/6 points we ask ourselves these questions: Can art have a do over? How does an immersive conversation with an artist inspire new art? Can one artist reinvent the work of another? Can imitation or intention carry an artist to a new place?

We six artists have met regularly for over seven years. As a group, our aim is to support, nourish and react to each other’s work with critical eyes born from long discussions. We know and celebrate each other. We listen and consider. It’s a deep dialog based on the belief that our aim is to assist and our process is to be honored.

And now our task is to dive deeper. With this show, we bring the time-honored practice of one artist being inspired by another to create new work. Each of the six will choose a work by one of the others and reflect, re-imagine and create a work inspired by that piece. After a one-on-one artist-to-artist conversation the original piece will act as a muse to something new from a different point of view, medium, or palette. This show will include the original artwork, the inspired creation, and a sampling of each artist’s body of work.

The tall piece in the middle of this picture features the work I created after engaging in this challenge.

I was paired with Mary Jo Karimnia in this challenge. She has a multi-media practice that includes using beads, flocking, paint and paper. One of her series is devoted to eyes. When we met we talked about evil eyes, inner eyes, protective eyes, seeing eyes, third eyes and the many ways that eyes are referred to in art. Her eyes are painted on plates, cut out of wood, mounted on baskets and gathered in installations.

Mary Jo Karimnia does a series of works focused on eyes.

Choosing a strong palette with lots of pattern was a new challenge for me. I usually work with less color.

Recently I watched a documentary about refugees and asylum seekers traversing the jungles of Panama to get to safety. Their journey is horrendous, murderous and rife with corruption. Many die. It occurred to me that the whole world should witness this disaster. The whole world needs to figure out how this ends. And then I realized that the whole world is watching this disaster, all across the globe people are hungry, hopeless and in danger. So I decided to use that idea in my piece called The Whole World’s Watching using eyes as a focal point.

The Whole World’s Watching, detail, Paula Kovarik

Every so often we get a news flash of more people dying in their attempts to get to safety.

The Whole World’s Watching, Paula Kovarik, 50.5” x 16”

The 2 sides/6 points show will debut in September at the UT-Martin campus of the University of Tennessee. If you are in the area please stop by and let us know what you think about the show. Let’s continue this conversation.

Puzzles

I love puzzles. It’s a treasure hunt with rewards. Something about that quiet contemplation of shape, color and texture soothes me.

I guess that’s why I am drawn to this art form. Piecing together disparate elements to create a whole is a challenge that never ends. This particular piece grew from scraps of quilts gone by — those pieces that didn’t quite make the cut in other quilts have a new life here. I stitched the scraps together using my free motion foot or a decorative stitch that added to the level of detail. As I was piecing together these scraps characters appeared, shapes repeated and textures multiplied. I used the base composition as a stage for other characters that I added in with overstitching.

Things we might not notice without closer inspection. 2021, Paula Kovarik

The following are detail shots that might give you an idea of what started to appear as I was working on the whole. I started to run out of scraps toward the end. Which gave me a choice: cut up another quilt or finish the composition. I decided to end the composition here so that I could focus on other ideas that are floating in my studio. I may come back to it if other scraps become available.

Let’s stitch together

I’ll be teaching stitch techniques in San Diego in September. Click on the image to learn more.

Transformation

I am reading Annals of the Former World by John McPhee. It’s not an easy book to read. It focuses on geological formations and geologists and time. Geologists read rock like we read books. McPhee travels across the United States with five different geologists who decipher the terrain as they travel. Many of the sentences begin with the words billions or millions of years ago. Deep time.

When I read books like this I have to slow down. I admit that I skim past words that are unfamiliar hoping that the author will let me in on the secret in future sentences. I also acquire new words. Like lithic and Eocene and physiographic and down wasting, folded-and-faulted, fatigued rock, incompetent rock and inequigranular fabric.

I love rocks.

Morph started with scraps of other quilts.

Morph started with scraps of other quilts.

Thinking about the beginning of time and forces beyond our control I started working on Morph. The bag of scraps came out and I stitched them together.

Morphbeginning2_PaulaKovarik.jpg

The piece grew to metamorphic blob. Metamorphism, as I understand it, is actually a process by which minerals are formed through heat and pressure.

Morph, hand-stitching detail, Paula Kovarik

Morph, hand-stitching detail, Paula Kovarik

Geological processes take time. Lots of time. The details in a substrate can tell the story of millennium.

Morph, machine-stitching detail, Paula Kovarik

Morph, machine-stitching detail, Paula Kovarik

Morph, 3-dimensional form detail, Paula Kovarik

Morph, 3-dimensional form detail, Paula Kovarik

As I added details to the melange of fabrics I also added seams that molded the fabric into hills.

Morph, 50” x 46” x 6”, 2021, Paula Kovarik

Morph, 50” x 46” x 6”, 2021, Paula Kovarik

Billions of years ago this little patch of land I sit on would be at the bottom of a shallow ocean in a different continent altogether. Only one thing is constant: change. Morph can morph. Turn it 90 degrees and the sags sag in a different way. Hang it upside down and the terrain folds to a new narrative.

The final piece speaks to the ideas I had while reading McPhee’s book but also to how I feel about emergence, transformation, bulging body parts and sagging sentiments.

This past year built a tower of insights for me. How about you? Tell me about your stories of transformation.

if at first …

trying trying again …

I had this idea long ago that I could create floating globes that would hang in space and allow viewers to insert their heads into them for a different sensory experience. (See It didn’t work for another go at this idea.) For the past few weeks I have been thinking about meditation and isolation and how important alone time is to me. Sometimes I have to shut it all off and just breathe. What if I could create a globe that would isolate me from that emotional and physical noise?

This second try started with a reworked piece that didn’t work. I had all these scraps that were aching to be put together. But the result was just cacophony not simplicity.

I didn’t want the isolation chamber to be all chaos so I created some new raw materials with canvas and black thread. The black thread story line added more narrative to the piece.

The new black and ivory canvas wedges were too stark so I added stitching to them to complement the triangle wedges.

I lined each panel with lace to obscure the chaos outside with a calmer feeling inside.

I sewed all the wedges together and ended up with a loopy globe.

When I reinforced the top and bottom edges with a pvc pipe insert it hangs fairly evenly.

I’m still working out some details. I embroidered a strip of fabric on the inside that says calm_down_calm_down____calm_down__calm_down. And I am rigging the globe so that it can hang from a hook at head height.

So, now, if the news is making me crazy, or my thoughts are too scattered, I can retreat into my own little isolation chamber. A quiet space.

Do you find that you need a space to escape?