chaos ensues

Last week my computer stopped working. It wasn't a firestorm or an earthquake but it did create chaos. Applications, extensions, preferences, archives, backups, bookmarks, 14,566 photos, three years of archived email messages, screensavers and personal sense of peace and harmony disappeared with a simple click of the mouse.

I called my local wizard, Brian, who hand held me through the re-installation and restoration process. We worked together for 4 days navigating the waters of passwords, help desks, chat rooms and operating systems. Trust me, you don't want to go there. But, if you do have to go there, call Brian. He was a model of patience.

And, now that I am up and running again, I'll show you what resulted while waiting for that spiraling beach ball on the computer to stop turning and turning and turning.

This piece starts with a pile of scraps.

This piece starts with a pile of scraps.

After about 3 weeks of piecing I am entranced by the back of the composition. It reflects a behind-the-scenes idea of the structures that hold us all together.

Here's the final composition from the back.

So I baste it to the backing wrong side up. On purpose.

Here's the neat and tidy back of the quilt sandwich ready for stitching. I did the free-motion quilting from this side. The piece is about 6 foot square and it was totally uncooperative. I ended each day with neck pain and back strain. It proved itself to be too big, too persnickety, too much. The open seams on the back of the piece (which would eventually be the front) caught in the feed dogs, rumpled unevenly and refused to cooperate. Turning it over and stitching from the front didn't work either. I started to call it the hateful quilt.

So I cut the whole in half, threw both halves into a hot washing machine and dryer to see what would happen and hung the ragged results on the design wall until I could face it again. hmmm.....kind of liking that squinched up raggedness.......

So I cut the whole in half, threw both halves into a hot washing machine and dryer to see what would happen and hung the ragged results on the design wall until I could face it again. hmmm.....kind of liking that squinched up raggedness.......

This past week, while watching and waiting for the computer gods to grant me asylum I started stitching and stitching and stitching. The stitching reflects my mood. confused, constipated, constrained and scattered.

Here's where I am with it today. I like the raggedness. I like the urgent sense of chaos. I like the release.

That second half waits for its own solution.

That second half waits for its own solution.

More than I want to count

How many decisions does it take?

I started a project about a month ago that included color. A great big pile of color all stitched up together. Rectangles nested, connected and spliced to create a whole. It is a process that demands patience, the power of arbitrary decision, and attention to detail. I can usually count on having two of three of those traits on any given day.

Decisions are endless, if I counted all the seams, snips and rearrangements I would have to seriously question my behavior. For example this little section took most of the morning to figure out. Which way should the red, white and gray composition attach to the orange white and gray section?

When I run out of patience I get distracted. Like: How cool are these wispy thread ends on the back of the piece? They seem to be blowing in the wind, or tangled with an inner confusion. And then I start studying the trimmings. Looking for the answer in chaos.

Stitching scraps together brings new meaning to the whole.

Leftovers reflect the effort of the choices I made.

And now I've turned the whole thing to the back so that I can study that for a while.

I started this piece with no clear goal. I vaguely wanted to create a playground for stitch. Something I could hop, skip and rollerskate over with my thread. And now I'm not so sure. I'll have to take some time to think about it some more, I'll have to find the patience to make some more decisions.

All the trimmings

I've been thinking about trimmings. The way we trim off the excess when we have to choose a new path. The way we add things to our meals and memories and collections. Trimmings are extras....extraneous or extraordinary. They are the side salad, appetizers and desserts. But they are also the leftovers, discarded and forgotten.

I save all the trimmings. There's a whole in there somewhere.

Collections show which extras I want to save.

There are two ways to think about trimmings — as additions or subtractions. In fiber art trimmings can be decorative edges or edited scraps—add-ons or take-aways.

My memory is a collection of trimmings. I don't know how my brain selects each bit. Do the memories come up by catalyst or do they float around waiting for a chance to surface? As we formulate our thoughts do we pick up little trimmings, put them together in new combinations and blurt? Or, is the whole just a leftover of the editing? And what about the new stuff we learn each day? Where does it all go in the stack?

Conversations are a collection of thoughts trimmed in emotion, logic and beliefs. The extraneous drones on and on, the extraordinary inspires and lingers. Bits and pieces stay with us, stored mysteriously in the heap of understanding.

Assembling a group of extras gives me a playground for stitch. This is a work-in-progress that started with two-inch strips sewn together and then cut into rectangles.

This medium gives me a perfect way to use trimmings. I can edit, add, and subtract. I linger with compositions that move forward, get stuck in cul de sacs and challenge my perception. I squint my eyes to see the final stack, tilting left and right to find the balance. Then I commit to negative and positive spaces that support or conflict with each other. Each shift of perspective tells a new story. Each scrap adds its own voice. I'll let it build until it tells me to stop. Then the fun begins—a new playground for stitch.

Practice

Each day I practice. Sometimes until my skin vibrates. Then I rest and review. Often, the lines I am stitching reveal an inner dialog that is not exactly sunny in its disposition.

How to turn that around? Is the moon more mysterious than the sun in its power? Do my thoughts turn to darkness because of a natural inclination to pessimism? Are my observations tinted by the dismal current of events that churn away on our media channels every day? Bobbing along with the current can often yield surprising results. I avoid the saccharine but couldn't I just maybe find a little joy in the way I look at things?

Maybe it will take a little more practice.

seeking solace

I took this picture a few years ago. It speaks to my yearning for a community that gathers with compassion. Meeting on the town square used to be a way of sharing good news and consoling those with bad news. We would keep tabs on the latest births and nod in agreement at how difficult life can be. Lending a hand if need be. Touching each other with soft embraces.

Umbrella gathering, Paula Kovarik

Today the town square has been replaced by media channels that shout about our differences and post horrific news via 140 character soundbites. Even the weather channel is now called the Severe Weather Center. Our communications have been reduced to photos with captions, videos with click bait and two-thumbed typing with hashtags. Essayists have difficulty getting published because so many publications are being gobbled up and shut down by the mega corps. Our newspaper in Memphis is now going to be produced in Nashville. How can we possibly get a feel for community that way?

Dizzy, Secret Life of Stones, Paula Kovarik

And don't even get me started on the politicians who seem to revel in fear.

Propaganda, Secret Life of Stones, Paula Kovarik

Shelter, Secret Life of Stones, Paula Kovarik

How do we stop it? How do we get back to the slow consideration of each other? Can we remember that differences add texture and depth?

Secret Life of Stones, the back, Paula Kovarik