silent witnesses

Just back from an energizing Common Thread Symposium at North Carolina State University where I met some inspiring artists and fiber art teachers: Susan Kay-Williams from the Royal School of Needlework at Hampton Court; Katherine Diuguid, an incredible hostess and talented fiber artist;  Susan Brandeis, Ilze Aviks, Andrea Donnelly, and Jeana Eve Klein to name a few.

A greek chorus in the fiber studio -- whispering to me.

A greek chorus in the fiber studio -- whispering to me.

This greek chorus in the fiber studio stood silently witnessing my attempt to show others how I do my work. I couldn't help but identify with their headlessness. When speaking in front of a crowd I feel a little weightless, as if floating and wandering through a third person narrative. I have to trust that my remarks make sense. The students were engaged and interested, and despite some hitches in equipment failures we had a good time learning from each other. I am hoping that they will pursue some of the drawing exercises we played with in their own work.

These silent witness birds gaze out to the lake as if hearing voices.

These silent witness birds gaze out to the lake as if hearing voices.

When I got home this two yard print from Spoonflower was on my desk, spurring me on to work on my Silent Witness project. The photographs from my residency at the Indiana Dunes National Lakeshore have inspired this project based on all those animate and inanimate objects that are witnessing our actions on earth. It started with this photo but then moved on to photos of rocks with faces.

Rocks with faces, stitched on canvas. Those shadows give me some ideas of how the next stage in stitching may proceed.

A lot of the artists I talked with over the weekend spoke about the meditative quality of this work. Hours alone focusing on stitch helps me to clear out confusion, simplify meaning and intensify my message. So when I am burying threads and watching the sun pass over the cloth I think about the passage of time, the care in detail, the silent witnesses to understanding.

Burying threads is an exercise in patience. When I work on something that requires it I think about the finite quality of it. What might feel like an endless chore actually does end, with patience.

seeing differently

Ten days from now I will be making a presentation at The Common Thread Symposium hosted by the North Carolina State University College of Design’s Department of Art+Design (find out more here). Preparing a lecture about my artwork is always a challenge. My thoughts evolve. I see pieces in new ways, I discard others. More and more I see the collection as a series of experiments with highlights in insight.

Many people work in series. I work like a taste tester. The horizon contains a spectrum of possibilities. Those little flickering lights of ideas challenge me to focus the lens.

This may be a handicap. I'm not sure. I do know that it follows my trajectory as a designer.

Inspiration can be rocky -- a bone rattling bedevilment. Or, it can rocket me onward to new planets. It's a heady mix. Each project has a list of ingredients, insights and goals. Each requires weeding out the extraneous, simplifying the knotty and, sometimes, adding depth where no bottom can be seen.

Now, let me clean my glasses and get on with it.

Inner path goes public

The Common Thread Symposium hosted by the North Carolina State University College of Design’s Department of Art+Design is on November 6-7, 2015 (find out more here). I am one of the featured artists.

Preparing a workshop focused on linework is daunting. It will be the first time I teach something about how I approach line and design. I have to look within to create an outward path. The hardest part of doing this is figuring out how to narrow it all down to a four-hour exercise. It's an opportunity that I feel ready for despite the mountains of ideas I need to edit.

If you are near Raleigh, North Carolina on November 6-7 take some time to participate in this event. I'd love to meet you and share some thoughts. Check out these speakers and workshops:

Lecturers

Dr. Susan Kay-Williams, Chief Executive Office of the Royal School of Needlework
Ilze Aviks, Contemporary Embroidery Artist
Precious Lovell, Contemporary Fiber Artist and Independent Researcher
Andrea Donnelly, Conceptual Weaver

Workshop Leaders

Ilze Aviks, Contemporary Embroidery Artist
Precious Lovell, Contemporary Fiber Artist and Independent Researcher
Gabrielle Duggan, Contemporary Fiber Artist and Educator
Mary Kircher, Contemporary Weaver
Kelly Kye, Contemporary Quilter
Mackenzie Bullard, Natural Dye Researcher