Tenuous links

This piece got a lot of attention yesterday due to a post on Facebook by a group called the Anartist community. They (he? she?) post some compelling and diverse images of artwork but don't really do anything to identify themselves. It's an international community as evidenced by the quotes in various languages.  A web search yields no other clues. The About section on the facebook page says: "An artist is never poor" (or "Un artista non è mai povero" if you prefer) to which I tend to agree.

I'm always mystified by how among millions (or is it billions) of people on the web sending out messages and images, does my work find a spot? What tenuous links are there that make one piece send out its feelers so that someone else is interested enough to look? These links intrigue me. They are a continuing theme in my stitching, a thread that binds all my ideas together. A link is a happy chance at connection that is at once mysterious, powerful and throbbing. It feeds my curiosity. It starts a conversation, binds together continents, and bounces from one to another.

Heartfelt, repurposed linen dress with hand and machine quilting, Paula Kovarik

density

I spent a couple of hours yesterday finishing up this little study. It had lingered on my side table for over a year. I am calling it density. Slowing down to stitch by hand is a way to organize my thoughts.

Density, 10.5" x 10.5", hand stitched on cotton napkin, Paula Kovarik

the [ is it worth it? ] debate

Inevitably, at some stage in every project, I come to a point where I have to ask: is it worth it? Yesterday was one of those days. While working on the continent portions of this world map quilt I decided to add a running stitch horizontally across the space defined by the continents. Thus:

horizontal hand stitching

horizontal hand stitching

Those horizontal hand stitches added a nice texture that contrasted with the machine stitching nearby. Needless to say, there are a lot of continents on this map and the time it takes to add the running stitch is not inconsequential. Then, I experimented with another set of running stitches at a 90 degree angle. Thus:

90 degree stitching for new texture

90 degree stitching for new texture

Double the texture, double the time. And, did I mention the number of threads I need to bury where the machine stitching hits the continents?

So, is it worth it?

I decided yes.